Mediaeval sexual carvings churches

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Sex is everywhere. We sometimes believe that it was Freud who woke us to this thought, but, in truth, sex has always been everywhere--and everyone has always known it. Sex was everywhere even for perhaps especially for the Victorians, who draped the legs--excuse me, limbs--of pianos to disguise their true nature and who could not permit the word bull to be uttered in polite company.

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Roman Green Man c. Roman architecture sometimes features ornate leaf masks, which are usually taken as showing the close interdependence between man and nature, and as describing the deities of Pan, Bacchus, Dionysus or Silvanus, and the mystery religions that grew up around them. Indeed, Dionysus is often considered one of the most likely precursors to the Green Man of the Middle Ages, especially given his usual portrayal as leaf-crowned lord of the wilderness, nature and agriculture - it was only later that he became associated with wine, ecstasy and sexual abandon - and his parallel role in the guise of Okeanus as a god of the underworld, of death and rebirth.

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Why is that man showing off his enormous phallus, which seems to be pointing straight at us? What about that other bearded fellow who is apparently masturbating? And what is the meaning of that woman who is exhibiting her vulva?

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The wooden carving of St George on horseback has been a feature of the Romanesque church of San Miguel de Estella, in Navarre, northern Spainsince the 16th century. You can find our Community Guidelines in full here. Want to discuss real-world problems, be involved in the most engaging discussions and hear from the journalists?

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Various statues carved on the temple walls depicting the Indian Gods in various moods. While most temples in India are considered to be sacred sites for pilgrimage and worship, a group of twenty-two temples at Khajuraho are known for the thousands of erotic carvings that saturate its exterior walls. While most temples in India are considered to be sacred sites for pilgrimage and worship, a group of twenty-two temples at Khajuraho, a small town in central India, have gained much international prominence for the thousands of erotic carvings that saturate its exterior walls.

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Please sign my Guestbook and leave feedback. The subject matter is very local encompassing an area stretching, very roughly, from Stamford in the east to the outskirts of Leicester in the west. For this reason nobody wanted to publish it which is a pity but very understandable.

John Harding, an IT director from Shropshire, England, was on a day trip to the quaint English market town of Church Stretton when he encountered his first Sheela-na-Gig carved in stone above the door of its 14th century church. Sheela-na-Gigs are medieval stone figures—often found on the walls of churches or castles—of women caught mid-squat, thighs spread, using their hands to yank open their vulva and display their vaginas. Some of them have cheeky grins; others are wizened hags; one is depicted wiggling out of a demon's mouth.

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Sheela na gigs are figurative carvings of naked women displaying an exaggerated vulva. They are architectural grotesques found all over Europe [1] [2] on cathedralscastlesand other buildings. The highest concentrations can be found in Ireland, Great Britain, France and Spain, sometimes together with male figures.

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